Yaloo is a Korean media artist based in Seoul and Los Angeles, whose immersive digital worlds weave together mythology, ecology, ritual, and speculative technology. Her practice resists fixed categories, blending oral histories with synthetic architectures, personal memory with posthuman species, and K-pop choreography with ancestral symbolism. Across videos and installations, she constructs layered ecosystems that feel both ancient and futuristic.

Goyong is a Seoul-based digital artist whose work reflects a deep interest in the ways technology expands our perception of the world. Across history, each technological revolution has altered our relationship to space, time, and representation. Goyong explores the current threshold we occupy: one in which digital technologies open up portals into virtual realms.

Mr. Misang is a Seoul-based illustrator and animator whose work explores the individual's position within the anonymous structures of contemporary life. His densely composed scenes depict crowds, cities, and bureaucratic systems not as backgrounds but as active forces—environments shaped by desire, routine, and infrastructural logic.

For years, Blake Jamieson was known for bold stencil portraits of iconic athletes—works collected by legends and printed on trading cards seen around the world. But ask him today where his art lives, and he might point not to a gallery or a studio, but to a lush California garden behind his family’s old barn.

A couple weeks ago, we were able to sit down with artist, Winston Chmielinski, otherwise known as Weseeclearly or Wes for short. I opened our video chat to find Wes—who is normally based out of Berlin—sitting fireside in a home in the countryside of Japan. It felt aligned looking back at how our conversation was about to unfold. Originally set to be just a 30 minute chat, our tangents took us new places, leading us all over. A conversation spanned his practice in painting, computer vision experiments, newly trained custom AI model, and how they’re all a meditation on what it means to see clearly, imperfectly, or perhaps sometimes not at all.

In Brulue, nothing stays still. Brutal shapes emerge from soft blue haze. Creatures flicker at the edge of recognition. Here, the laws of nature dissolve into dream logic, and visual stories unfold like whispered myths. With Vague Tale of Brulue, artist Rangga Purnama Aji crafts an ecosystem of the unfamiliar, a speculative world unmoored from geography and time, where the viewer is not just invited, but required to interpret, to imagine, to wander. Today, we’re excited to unveil a brief interview with artist Rangga about their series of works on TITLES.

Evo is an AI artist from Curaçao, a Dutch Caribbean island rich in Creole heritage. Known for her use of vibrant colors, layered symbolism, and a blend of figurative and abstract elements, Evo’s work stands at the crossroads of memory, myth, and machine. She was recently recognized by Tender as one of the most notable AI artists today.

A few months ago during the development of the our next protocol, we set out to commission a series of artworks that could bring to life the ideas coded into the new protocol that would be displayed and distributed via the protocol itself. After some research, we found out about Andreas Gysin’s practice and worked with him on a series of ASCII works.

For the past 6 months, our team has been working closely with artist Emily Xie on an experiment called MODEL-WIP. Born during the height of AI mania and in reaction to the headlines around it’s erosion of creativity. MODEL-WIP was created in effort to explore more deeply many artists' relationship to AI in their own practice.